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A Field in England

A Field in England

Horror · Thriller · Fantasy · 2013

During the Civil War in 17th-Century England, a small group of deserters flee from a raging battle through an overgrown field. They are captured by an alchemist, who forces the group to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field.

Movie details

A Field in England

“Open Up And Let The Devil In”

2013 Horror · Thriller · Fantasy 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

During the Civil War in 17th-Century England, a small group of deserters flee from a raging battle through an overgrown field. They are captured by an alchemist, who forces the group to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Field in England?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ben Wheatley

Written by

Amy Jump · Ben Wheatley

Reece Shearsmith

Reece Shearsmith

Whitehead

Michael Smiley

Michael Smiley

O'Neil

Richard Glover

Richard Glover

Friend

Peter Ferdinando

Peter Ferdinando

Jacob

Ryan Pope

Ryan Pope

Cutler

Julian Barratt

Julian Barratt

Trower

L

Laura Obiols

Anastasia

Court is in session

Put A Field in England on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.