“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The Serpent and the Rainbow
Horror · Thriller · 1988
A Harvard anthropologist is sent to Haiti to retrieve a strange powder that is said to have the power to bring human beings back from the dead. In his quest to find the miracle drug, the cynical scientist enters the rarely seen netherworld of walking zombies, blood rites and ancient curses. Based on the true life experiences of Wade Davis and filmed on location in Haiti, it's a frightening excursion into black magic and the supernatural.
The Serpent and the Rainbow
“Don't Bury Me...I'm Not Dead!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
A Harvard anthropologist is sent to Haiti to retrieve a strange powder that is said to have the power to bring human beings back from the dead. In his quest to find the miracle drug, the cynical scientist enters the rarely seen netherworld of walking zombies, blood rites and ancient curses. Based on the true life experiences of Wade Davis and filmed on location in Haiti, it's a frightening excursion into black magic and the supernatural.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Serpent and the Rainbow?
The Big-Idea Head
“You watch with your brain, not your gut.”
Read their caseThe Sentimental Softie
“You came to feel something, and you will.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Wes Craven
Written by
Richard Maxwell · Adam Rodman
Put The Serpent and the Rainbow on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






