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Going My Way

Going My Way

Drama · Comedy · Music · 1944

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy. After being appointed to a run-down New York parish, O'Malley's worldly knowledge helps him connect with a gang of boys looking for direction, eventually winning over the aging, conventional Parish priest.

Movie details

Going My Way

“When the St. Louis Browns lost Bing, the Cardinal got a good singer!”

1944 Drama · Comedy · Music 2h 6m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy. After being appointed to a run-down New York parish, O'Malley's worldly knowledge helps him connect with a gang of boys looking for direction, eventually winning over the aging, conventional Parish priest.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Going My Way?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Bells of St. Mary's

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Names above the title

The people responsible.

Directed by

Leo McCarey

Written by

Leo McCarey · Frank Cavett · Frank Butler

Bing Crosby

Bing Crosby

Father Chuck O'Malley

Barry Fitzgerald

Barry Fitzgerald

Father Fitzgibbon

Frank McHugh

Frank McHugh

Father Timothy O'Dowd

James Brown

James Brown

Ted Haines Jr.

Gene Lockhart

Gene Lockhart

Ted Haines Snr.

Jean Heather

Jean Heather

Carol James

Porter Hall

Porter Hall

Mr. Belknap

Court is in session

Put Going My Way on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.