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National Velvet

National Velvet

Drama · Family · 1945

Mi Taylor is a young wanderer and opportunist who finds himself in the quiet English countryside home of the Brown family. The youngest daughter, Velvet, has a passion for horses and when she wins the spirited steed Pie in a town lottery, Mi is encouraged to train the horse.

Movie details

National Velvet

“Simple story of a boy... a girl... and a horse! Set to the thunder of the Grand National Steeplechase!”

1945 Drama · Family 2h 3m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Mi Taylor is a young wanderer and opportunist who finds himself in the quiet English countryside home of the Brown family. The youngest daughter, Velvet, has a passion for horses and when she wins the spirited steed Pie in a town lottery, Mi is encouraged to train the horse.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over National Velvet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Clarence Brown

Written by

Theodore Reeves · Helen Deutsch

Mickey Rooney

Mickey Rooney

Michael 'Mi' Taylor

Donald Crisp

Donald Crisp

Mr. Herbert Brown

Elizabeth Taylor

Elizabeth Taylor

Velvet Brown

Anne Revere

Anne Revere

Mrs. Araminty Brown

Angela Lansbury

Angela Lansbury

Edwina Brown

Jackie 'Butch' Jenkins

Jackie 'Butch' Jenkins

Donald Brown

Juanita Quigley

Juanita Quigley

Malvolia 'Mally' Brown

Court is in session

Put National Velvet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.