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Resident Evil: The Final Chapter

Resident Evil: The Final Chapter

Action · Horror · Science Fiction · 2016

Picking up immediately after the events in Resident Evil: Retribution, Alice is the only survivor of what was meant to be humanity's final stand against the undead. Now, she must return to where the nightmare began - The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.

Movie details

Resident Evil: The Final Chapter

“Evil comes home.”

2016 Action · Horror · Science Fiction 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Picking up immediately after the events in Resident Evil: Retribution, Alice is the only survivor of what was meant to be humanity's final stand against the undead. Now, she must return to where the nightmare began - The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Resident Evil: The Final Chapter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Paul W. S. Anderson

Written by

Paul W. S. Anderson

Milla Jovovich

Milla Jovovich

Alice / Alicia Marcus

Iain Glen

Iain Glen

Dr. Isaacs

Ali Larter

Ali Larter

Claire Redfield

Shawn Roberts

Shawn Roberts

Wesker

Eoin Macken

Eoin Macken

Doc

Fraser James

Fraser James

Razor

Ruby Rose

Ruby Rose

Abigail

Court is in session

Put Resident Evil: The Final Chapter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.