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Grey Gardens

Grey Gardens

Documentary · 1976

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

Movie details

Grey Gardens

“She was the girl who had everything - Money, good looks and social position. Her mother - a classic Bouvier beauty. Now they are living amongst the souvenirs of their lives. In Grey Gardens. This is their story. A love story. Sort of.”

1976 Documentary 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Grey Gardens?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ellen Giffard · Muffie Meyer · David Maysles

Edith Bouvier Beale

Edith Bouvier Beale

Self

Edith Ewing Bouvier Beale

Edith Ewing Bouvier Beale

Self

B

Brooks Hyers

Self

N

Norman Vincent Peale

Self

J

Jack Helmuth

Self (uncredited)

Albert Maysles

Albert Maysles

Self (uncredited)

David Maysles

David Maysles

Self (uncredited)

Court is in session

Put Grey Gardens on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.