The defence The Auteur Devotee
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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Stories We Tell
Documentary · 2012
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending on their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
Movie details
Stories We Tell
2012 Documentary 1h 49m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.1 / 10
Community rating
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending on their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Stories We Tell?
For the defence
The Auteur Devotee
“You watch the director, not the movie.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Maria by Callas
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Spielberg
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The Corporation
Documentary · 2003
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Cameraperson
Documentary · 2016
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
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Names above the title
The people responsible.
Cast & crew
Directed by
Sarah Polley
Written by
Sarah Polley
M
Michael Polley
Storyteller
H
Harry Gulkin
Storyteller
S
Susy Buchan
Storyteller
John Buchan
Storyteller
M
Mark Polley
Storyteller
J
Joanna Polley
Storyteller
C
Cathy Gulkin
Storyteller
Court is in session
Put Stories We Tell on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.