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Papadopoulos & Sons

Papadopoulos & Sons

Comedy · Drama · 2012

Following his ruin in the latest banking crisis, a self-made millionaire reluctantly re-unites with his estranged freewheeling brother to re-open the abandoned fish and chip shop they shared in their youth.

Movie details

Papadopoulos & Sons

“Success is the joy you feel! Only when you lose everything, do you find it all.”

2012 Comedy · Drama 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Following his ruin in the latest banking crisis, a self-made millionaire reluctantly re-unites with his estranged freewheeling brother to re-open the abandoned fish and chip shop they shared in their youth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Papadopoulos & Sons?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Marcus Markou

Written by

Marcus Markou

Stephen Dillane

Stephen Dillane

Harry Papadopoulos

Georges Corraface

Georges Corraface

Spiros Papadopoulos

Selina Cadell

Selina Cadell

Mrs. Parrington

Georgia Groome

Georgia Groome

Katie Papadopoulos

Frank Dillane

Frank Dillane

James Papadopoulos

T

Thomas Underhill

Theo Papadopoulos

Cosima Shaw

Cosima Shaw

Sophie

Court is in session

Put Papadopoulos & Sons on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.