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Gigi

Gigi

Comedy · Romance · 1958

A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.

Movie details

Gigi

“Thank heaven for Gigi”

1958 Comedy · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gigi?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Henry & June

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Romance · 1990

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Where it lives

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Names above the title

The people responsible.

Directed by

Vincente Minnelli

Written by

Alan Jay Lerner

Leslie Caron

Leslie Caron

Gigi

Maurice Chevalier

Maurice Chevalier

Honoré Lachaille

Louis Jourdan

Louis Jourdan

Gaston Lachaille

Hermione Gingold

Hermione Gingold

Madame Alvarez

Eva Gabor

Eva Gabor

Liane D'Exelmans

Jacques Bergerac

Jacques Bergerac

Sandomir

Isabel Jeans

Isabel Jeans

Aunt Alicia

Court is in session

Put Gigi on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.