“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

Any Which Way You Can
Action · Adventure · Comedy · 1980
Philo takes part in a bare knuckle fight – as he does – to make more money than he can earn from his car repair business. He decides to retire, but when the Mafia come along and arrange another fight, he's pushed into it. A motorcycle gang and an orangutan called Clyde all add to the 'fun'.
Any Which Way You Can
“Get it with Clint and Clyde”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.1 / 10
22K votes
Rotten Tomatoes
20 %
Tomatometer
Metacritic
51 / 100
Metascore
TMDB
5.8 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Philo takes part in a bare knuckle fight – as he does – to make more money than he can earn from his car repair business. He decides to retire, but when the Mafia come along and arrange another fight, he's pushed into it. A motorcycle gang and an orangutan called Clyde all add to the 'fun'.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Any Which Way You Can?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Auteur Devotee
“You watch the director, not the movie.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Buddy Van Horn
Written by
Stanford Sherman
Put Any Which Way You Can on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.






