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Every Which Way but Loose

Every Which Way but Loose

Comedy · Adventure · Drama · 1978

Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, some cops, and legendary brawler Tank Murdock.

Movie details

Every Which Way but Loose

“Clint Eastwood will turn you Every Which Way But Loose”

1978 Comedy · Adventure · Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, some cops, and legendary brawler Tank Murdock.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Every Which Way but Loose?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

James Fargo

Written by

Jeremy Joe Kronsberg

Clint Eastwood

Clint Eastwood

Philo Beddoe

Sondra Locke

Sondra Locke

Lynn Halsey-Taylor

Geoffrey Lewis

Geoffrey Lewis

Orville Boggs

Manis

Manis

Clyde

Beverly D'Angelo

Beverly D'Angelo

Echo

W

Walter Barnes

Tank Murdock

George Chandler

George Chandler

Clerk at D.M.V.

Court is in session

Put Every Which Way but Loose on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.