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Departures

Departures

Drama · 2008

Daigo, a cellist, is laid off from his orchestra and moves with his wife back to his small hometown where the living is cheaper. Thinking he’s applying for a job at a travel agency he finds he’s being interviewed for work with departures of a more permanent nature – as an undertaker’s assistant.

Movie details

Departures

“The gift of last memories.”

2008 Drama 2h 10m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

Daigo, a cellist, is laid off from his orchestra and moves with his wife back to his small hometown where the living is cheaper. Thinking he’s applying for a job at a travel agency he finds he’s being interviewed for work with departures of a more permanent nature – as an undertaker’s assistant.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Departures?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Yojiro Takita

Written by

Kundo Koyama

Masahiro Motoki

Masahiro Motoki

Daigo Kobayashi

Ryoko Hirosue

Ryoko Hirosue

Mika Kobayashi

Tsutomu Yamazaki

Tsutomu Yamazaki

Ikuei Sasaki

Kimiko Yo

Kimiko Yo

Yuriko Kamimura

Tetta Sugimoto

Tetta Sugimoto

Yamashita

Toru Minegishi

Toru Minegishi

Yoshiki Kobayashi

Tatsuo Yamada

Tatsuo Yamada

Togashi

Court is in session

Put Departures on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.