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Drive My Car

Drive My Car

Drama · 2021

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Movie details

Drive My Car

“Go on living.”

2021 Drama 2h 59m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Drive My Car?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ryusuke Hamaguchi

Written by

Ryusuke Hamaguchi · Takamasa Oe

Hidetoshi Nishijima

Hidetoshi Nishijima

Yūsuke Kafuku

Toko Miura

Toko Miura

Misaki Watari

Masaki Okada

Masaki Okada

Kōshi Takatsuki

Reika Kirishima

Reika Kirishima

Oto Kafuku

Park Yu-rim

Park Yu-rim

Lee Yoo-na

Jin Dae-yeon

Jin Dae-yeon

Gong Yoon-su

Sonia Yuan

Sonia Yuan

Janice Chang

Court is in session

Put Drive My Car on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.