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To Hell and Back

To Hell and Back

Action · Romance · Drama · 1955

The true WWII story of Audie Murphy, the most decorated soldier in U.S. history. Based on the autobiography of Audie Murphy who stars as himself in the film.

Movie details

To Hell and Back

“Rejected by the Marines, the Navy, and the Army paratroopers due to his small size and youthful appearance, when he was finally accepted by the army Murphy became the most decorated soldier in U.S. history!!!”

1955 Action · Romance · Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

The true WWII story of Audie Murphy, the most decorated soldier in U.S. history. Based on the autobiography of Audie Murphy who stars as himself in the film.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Hell and Back?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jesse Hibbs

Written by

Gil Doud

Audie Murphy

Audie Murphy

Audie Murphy

Marshall Thompson

Marshall Thompson

Johnson

Charles Drake

Charles Drake

Brandon

Gregg Palmer

Gregg Palmer

Lt Manning

David Janssen

David Janssen

Lt Lee

Denver Pyle

Denver Pyle

Thompson

Jack Kelly

Jack Kelly

Kerrigan

Court is in session

Put To Hell and Back on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.