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The Kill Team

The Kill Team

War · Action · Drama · 2019

When Andrew Briggman — a young soldier in the US Army during the invasion of Afghanistan — witnesses the murderous behavior of fellow soldiers, under the direction of a malevolent Sergeant, he faces a moral dilemma. His increasingly-violent platoon becomes suspicious that someone in their ranks has turned on them, and Andrew begins to fear for his safety. A fictionalized dramatization based on a true story.

Movie details

The Kill Team

“Soldiers. Brothers. Enemies.”

2019 War · Action · Drama 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

When Andrew Briggman — a young soldier in the US Army during the invasion of Afghanistan — witnesses the murderous behavior of fellow soldiers, under the direction of a malevolent Sergeant, he faces a moral dilemma. His increasingly-violent platoon becomes suspicious that someone in their ranks has turned on them, and Andrew begins to fear for his safety. A fictionalized dramatization based on a true story.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Kill Team?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Dan Krauss

Written by

Dan Krauss

Nat Wolff

Nat Wolff

Andrew Briggman

Alexander Skarsgård

Alexander Skarsgård

Sergeant Deeks

Adam Long

Adam Long

Rayburn

Jonathan Whitesell

Jonathan Whitesell

Coombs

Brian Marc

Brian Marc

Marquez

Osy Ikhile

Osy Ikhile

Weppler

Rob Morrow

Rob Morrow

William Briggman

Court is in session

Put The Kill Team on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.