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Mississippi Mermaid

Mississippi Mermaid

Romance · Drama · Crime · 1969

A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.

Movie details

Mississippi Mermaid

“The bride came as advertised... with an unadvertised special.”

1969 Romance · Drama · Crime 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mississippi Mermaid?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Honeymoon Killers

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Martha Beck, an obese nurse who is desperately lonely, joins a "correspondence club" and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he's a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray's sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.

Mandingo

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Warren Maxwell, the owner of a run-down plantation, pressures his son, Hammond, to marry and produce an heir to inherit the plantation. Hammond settles on his own cousin, Blanche, but purchases a sex slave when he returns from the honeymoon. He also buys his father a new Mandingo slave named Mede to breed and train as a prize-fighter.

The Piano

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Addicted

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Names above the title

The people responsible.

Directed by

François Truffaut

Jean-Paul Belmondo

Jean-Paul Belmondo

Louis Mahé

Catherine Deneuve

Catherine Deneuve

Julie Roussel

Michel Bouquet

Michel Bouquet

Comolli

Nelly Borgeaud

Nelly Borgeaud

Berthe

Martine Ferrière

Martine Ferrière

Landlady

Marcel Berbert

Marcel Berbert

Jardine

Y

Yves Drouhet

Detective

Court is in session

Put Mississippi Mermaid on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.