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The Wood

The Wood

Comedy · Drama · Romance · 1999

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.

Movie details

The Wood

“From boyhood to manhood, you can always count on your best friends.”

1999 Comedy · Drama · Romance 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Pretty in Pink

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Where it lives

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Names above the title

The people responsible.

Directed by

Rick Famuyiwa

Written by

Rick Famuyiwa

Omar Epps

Omar Epps

Mike

Richard T. Jones

Richard T. Jones

Slim

Taye Diggs

Taye Diggs

Roland

Sanaa Lathan

Sanaa Lathan

Alicia

LisaRaye McCoy

LisaRaye McCoy

Lisa

De'Aundre Bonds

De'Aundre Bonds

Stacey

Antwon Tanner

Antwon Tanner

Boo

Court is in session

Put The Wood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.