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Forbidden Zone

Forbidden Zone

Music · Comedy · Fantasy · 1982

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.

Movie details

Forbidden Zone

1982 Music · Comedy · Fantasy 1h 14m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Forbidden Zone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Elfman

Written by

Richard Elfman · Matthew Bright · Nick L. Martinson · Nicholas James

Hervé Villechaize

Hervé Villechaize

King Fausto of the Sixth Dimension

Susan Tyrrell

Susan Tyrrell

Queen Doris of the Sixth Dimension

Matthew Bright

Matthew Bright

Squeezit & René Henderson

G

Gene Cunningham

Pa Hercules

M

Marie-Pascale Elfman

Susan B. "Frenchie" Hercules

V

Virginia Rose

Ma Hercules

P

Phil Gordon

Flash Hercules

Court is in session

Put Forbidden Zone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.