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Weird Science

Weird Science

Comedy · Fantasy · Science Fiction · 1985

Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to "create" a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men.

Movie details

Weird Science

“It's all in the name of science... Weird Science.”

1985 Comedy · Fantasy · Science Fiction 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to "create" a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Weird Science?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Hughes

Written by

John Hughes

Anthony Michael Hall

Anthony Michael Hall

Gary

Ilan Mitchell-Smith

Ilan Mitchell-Smith

Wyatt

Kelly LeBrock

Kelly LeBrock

Lisa

Bill Paxton

Bill Paxton

Chet

Suzanne Snyder

Suzanne Snyder

Deb

Judie Aronson

Judie Aronson

Hilly

Barbara Lang

Barbara Lang

Lucy

Court is in session

Put Weird Science on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.