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Fever Pitch

Fever Pitch

Comedy · Romance · 1997

A romantic comedy about a man, a woman and a football team. Based on Nick Hornby's best selling autobiographical novel, Fever Pitch. English teacher Paul Ashworth believes his long standing obsession with Arsenal serves him well. But then he meets Sarah. Their relationship develops in tandem with Arsenal's roller coaster fortunes in the football league, both leading to a nail biting climax.

Movie details

Fever Pitch

“Life Gets Complicated When You Love One Woman And Worship Eleven Men”

1997 Comedy · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A romantic comedy about a man, a woman and a football team. Based on Nick Hornby's best selling autobiographical novel, Fever Pitch. English teacher Paul Ashworth believes his long standing obsession with Arsenal serves him well. But then he meets Sarah. Their relationship develops in tandem with Arsenal's roller coaster fortunes in the football league, both leading to a nail biting climax.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fever Pitch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Evans

Written by

Nick Hornby

Colin Firth

Colin Firth

Paul Ashworth

Ruth Gemmell

Ruth Gemmell

Sarah Hughes

Mark Strong

Mark Strong

Steve

Holly Aird

Holly Aird

Jo

Ken Stott

Ken Stott

Ted, the Headmaster

Stephen Rea

Stephen Rea

Ray, the Governor

Neil Pearson

Neil Pearson

Paul's Dad

Court is in session

Put Fever Pitch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.