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The Dirties

The Dirties

Comedy · Drama · Crime · 2013

The line between reality and fiction starts to blur when two best friends start making a movie about getting revenge on bullies.

Movie details

The Dirties

“We're just here for the bad guys.”

2013 Comedy · Drama · Crime 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

The line between reality and fiction starts to blur when two best friends start making a movie about getting revenge on bullies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Dirties?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Bully

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A group of teenagers in South Florida enact a murder plot against their mutual bully, Bobby, who has emotionally, physically, and sexually abused them for years.

Class Act

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Duncan is a genius straight A student, Blade is ajuvenile delinquent. But because of a mix up with their school records, everyone thinks each is the other one. Now, Duncan kind of likes the attention from being thought of as a real bad dude, if only the school bully would stop trying to rough him up. And Blade definitely likes being thought of as important instead of as trouble.

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About Alex

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Comedy · 2014

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Matt Johnson

Written by

Evan Morgan · Matt Johnson · Josh Boles

Matt Johnson

Matt Johnson

Matt

Owen Williams

Owen Williams

Owen

Krista Madison

Krista Madison

Chrissy H.

Shailene Garnett

Shailene Garnett

Krissy B.

Jay McCarrol

Jay McCarrol

Mr. Bird

Brandon Wickens

Brandon Wickens

Jackman

Josh Boles

Josh Boles

Boozy

Court is in session

Put The Dirties on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.