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I'm Not Ashamed

I'm Not Ashamed

Drama · Crime · 2016

Based on the journal entries of Rachel Joy Scott, the first student killed in the Columbine High School shooting in 1999.

Movie details

I'm Not Ashamed

“Her faith would touch the world.”

2016 Drama · Crime 1h 53m

Critical arithmetic

The consensus, allegedly.

IMDb

5.8 / 10

4.3K votes

Rotten Tomatoes

22 %

Tomatometer

Metacritic

31 / 100

Metascore

TMDB

7.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Based on the journal entries of Rachel Joy Scott, the first student killed in the Columbine High School shooting in 1999.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I'm Not Ashamed?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Brian Baugh

Written by

Robin Hanley · Kari Redmond · Philipa Booyens · Bodie Thoene

Masey McLain

Masey McLain

Rachel Joy Scott

Mark Daugherty

Mark Daugherty

Kevin

Jennifer O'Neill

Jennifer O'Neill

Linda

Ben VanderMey

Ben VanderMey

Brian Riggs

Jaci Velasquez

Jaci Velasquez

Mrs. Diaz

Emma Elle Roberts

Emma Elle Roberts

Celine

Cameron McKendry

Cameron McKendry

Alex Dickerson

Court is in session

Put I'm Not Ashamed on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.