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Connie and Carla

Connie and Carla

Comedy · Crime · Music · 2004

After accidentally witnessing a mafia hit in the Windy City, gal pals Connie and Carla skip town for L.A., where they go way undercover as singers working the city's dinner theater circuit ... disguised as drag queens. Now, it's not enough that they become big hits on the scene; things get extra-weird when Connie meets Jeff -- a guy she'd like to be a woman with.

Movie details

Connie and Carla

“When you follow your dream, there's no telling what you'll become.”

2004 Comedy · Crime · Music 1h 38m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After accidentally witnessing a mafia hit in the Windy City, gal pals Connie and Carla skip town for L.A., where they go way undercover as singers working the city's dinner theater circuit ... disguised as drag queens. Now, it's not enough that they become big hits on the scene; things get extra-weird when Connie meets Jeff -- a guy she'd like to be a woman with.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Connie and Carla?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Lembeck

Written by

Nia Vardalos

Nia Vardalos

Nia Vardalos

Connie

Toni Collette

Toni Collette

Carla

David Duchovny

David Duchovny

Jeff

Stephen Spinella

Stephen Spinella

Robert / Peaches

Alec Mapa

Alec Mapa

Lee / N'Cream

Ian Gomez

Ian Gomez

Stanley

Nick Sandow

Nick Sandow

Al

Court is in session

Put Connie and Carla on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.