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Lost in Translation

Lost in Translation

Drama · Comedy · Romance · 2003

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Movie details

Lost in Translation

“Everyone wants to be found.”

2003 Drama · Comedy · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lost in Translation?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sofia Coppola

Written by

Sofia Coppola

Bill Murray

Bill Murray

Bob Harris

Scarlett Johansson

Scarlett Johansson

Charlotte

Giovanni Ribisi

Giovanni Ribisi

John

Anna Faris

Anna Faris

Kelly

Akiko Takeshita

Akiko Takeshita

Ms. Kawasaki

Kazuyoshi Minamimagoe

Kazuyoshi Minamimagoe

Press Agent

K

Kazuko Shibata

Press Agent

Court is in session

Put Lost in Translation on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.