The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Bright Young Things
Comedy · Drama · 2003
During the 1930s in England, a group of young socialites dominate the national gossip with extravagant and outlandish antics. Among the group is the aspiring novelist Adam Fenwick-Symes, who is attempting to raise enough money to marry fellow member Nina Blount. However, after customs officials confiscate his first manuscript, Fenwick-Symes must recover from the financial setback and figure out new ways to earn money for a wedding.
Movie details
Bright Young Things
“Sex... Scandal... Celebrity... Some things never change.”
2003 Comedy · Drama 1h 46m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
During the 1930s in England, a group of young socialites dominate the national gossip with extravagant and outlandish antics. Among the group is the aspiring novelist Adam Fenwick-Symes, who is attempting to raise enough money to marry fellow member Nina Blount. However, after customs officials confiscate his first manuscript, Fenwick-Symes must recover from the financial setback and figure out new ways to earn money for a wedding.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Bright Young Things?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Dinner at Eight
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An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.
The Trouble with Jessica
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Sarah and Tom are in terrible financial trouble. On the brink of losing everything, they’ve managed to find a buyer for their stylish London home. When their best friends Richard and Beth come round for a final dinner, an uninvited old friend, Jessica, tags along.
Smoke
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Writer Paul Benjamin is nearly hit by a bus when he leaves Auggie Wren's smoke shop. Stranger Rashid Cole saves his life, and soon middle-aged Paul tells homeless Rashid that he wouldn't mind a short-term housemate. Still grieving over his wife's murder, Paul is moved by both Rashid's quest to reconnect with his father and Auggie's discovery that a woman who might be his daughter is about to give birth.
The Clique
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A young girl tries to fit in with a clique of popular middle school girls after moving into the guest house of one of their homes.
Tyler Perry's Madea on the Run - The Play
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In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Me and Orson Welles
Drama · 2008
New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
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Names above the title
The people responsible.
Cast & crew
Directed by
Stephen Fry
Written by
Stephen Fry
Stephen Campbell Moore
Adam Fenwick-Symes
Emily Mortimer
Nina Blount
Harriet Walter
Lady Maitland
Michael Sheen
Miles Maitland
James McAvoy
Simon Balcairn
David Tennant
Ginger Littlejohn
Stockard Channing
Mrs. Melrose Ape
Court is in session
Put Bright Young Things on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.