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Bright Young Things

Bright Young Things

Comedy · Drama · 2003

During the 1930s in England, a group of young socialites dominate the national gossip with extravagant and outlandish antics. Among the group is the aspiring novelist Adam Fenwick-Symes, who is attempting to raise enough money to marry fellow member Nina Blount. However, after customs officials confiscate his first manuscript, Fenwick-Symes must recover from the financial setback and figure out new ways to earn money for a wedding.

Movie details

Bright Young Things

“Sex... Scandal... Celebrity... Some things never change.”

2003 Comedy · Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

During the 1930s in England, a group of young socialites dominate the national gossip with extravagant and outlandish antics. Among the group is the aspiring novelist Adam Fenwick-Symes, who is attempting to raise enough money to marry fellow member Nina Blount. However, after customs officials confiscate his first manuscript, Fenwick-Symes must recover from the financial setback and figure out new ways to earn money for a wedding.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bright Young Things?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stephen Fry

Written by

Stephen Fry

Stephen Campbell Moore

Stephen Campbell Moore

Adam Fenwick-Symes

Emily Mortimer

Emily Mortimer

Nina Blount

Harriet Walter

Harriet Walter

Lady Maitland

Michael Sheen

Michael Sheen

Miles Maitland

James McAvoy

James McAvoy

Simon Balcairn

David Tennant

David Tennant

Ginger Littlejohn

Stockard Channing

Stockard Channing

Mrs. Melrose Ape

Court is in session

Put Bright Young Things on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.