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A King in New York

A King in New York

Comedy · Drama · 1957

A recently-deposed "Estrovian" monarch seeks shelter in New York City, where he becomes an accidental television celebrity. Later, he's wrongly accused of being a Communist and gets caught up in subsequent HUAC hearings.

Movie details

A King in New York

“The King of Comedians!”

1957 Comedy · Drama 1h 44m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

9.6K votes

Rotten Tomatoes

80 %

Tomatometer

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A recently-deposed "Estrovian" monarch seeks shelter in New York City, where he becomes an accidental television celebrity. Later, he's wrongly accused of being a Communist and gets caught up in subsequent HUAC hearings.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A King in New York?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Charlie Chaplin

Written by

Charlie Chaplin

Charlie Chaplin

Charlie Chaplin

King Shahdov

Maxine Audley

Maxine Audley

Queen Irene

Jerry Desmonde

Jerry Desmonde

Prime Minister Voudel

Oliver Johnston

Oliver Johnston

Ambassador Jaume

Dawn Addams

Dawn Addams

Ann Kay - TV Specialist

Sidney James

Sidney James

Johnson - TV Advertiser

Joan Ingram

Joan Ingram

Mona Cromwell - Hostess

Court is in session

Put A King in New York on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.