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Phantasm II

Phantasm II

Action · Horror · Science Fiction · 1988

Mike, after his release from a psychiatric hospital, teams up with his old pal Reggie to hunt down the Tall Man, who is at it again. A mysterious, beautiful girl has also become part of Mike's dreams, and they must find her before the Tall Man does.

Movie details

Phantasm II

“The ball is back!”

1988 Action · Horror · Science Fiction 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Mike, after his release from a psychiatric hospital, teams up with his old pal Reggie to hunt down the Tall Man, who is at it again. A mysterious, beautiful girl has also become part of Mike's dreams, and they must find her before the Tall Man does.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Phantasm II?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Don Coscarelli

Written by

Don Coscarelli

James Le Gros

James Le Gros

Mike

Reggie Bannister

Reggie Bannister

Reggie

Angus Scrimm

Angus Scrimm

The Tall Man

Paula Irvine

Paula Irvine

Liz

Samantha Phillips

Samantha Phillips

Alchemy

Kenneth Tigar

Kenneth Tigar

Father Meyers

R

Ruth C. Engel

Grandma

Court is in session

Put Phantasm II on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Prestige Tourist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.