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The Sound of Music

The Sound of Music

Drama · Family · Music · 1965

In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.

Movie details

The Sound of Music

“The happiest sound in all the world!”

1965 Drama · Family · Music 2h 54m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Sound of Music?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Wise

Written by

Ernest Lehman · Maria von Trapp

Julie Andrews

Julie Andrews

Maria

Christopher Plummer

Christopher Plummer

Captain Georg von Trapp

Eleanor Parker

Eleanor Parker

The Baroness

Charmian Carr

Charmian Carr

Liesl von Trapp

Nicholas Hammond

Nicholas Hammond

Friedrich von Trapp

Heather Menzies

Heather Menzies

Louisa von Trapp

Angela Cartwright

Angela Cartwright

Brigitta von Trapp

Court is in session

Put The Sound of Music on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.