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Bodycam

Bodycam

Horror · 2026

A call to a quiet suburban home unleashes unthinkable carnage when two officers mistakenly shoot a man and his infant child, spiraling the tragedy into a fierce, unrelenting fall into the unknown.

Movie details

Bodycam

2026 Horror 1h 15m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A call to a quiet suburban home unleashes unthinkable carnage when two officers mistakenly shoot a man and his infant child, spiraling the tragedy into a fierce, unrelenting fall into the unknown.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bodycam?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Working in the shadow of an esteemed police veteran, brash Detective Ezekiel “Zeke” Banks and his rookie partner take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past. Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.

Mirrors

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V/H/S/94

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After the discovery of a mysterious VHS tape, a brutish police SWAT team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.

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Names above the title

The people responsible.

Directed by

Brandon Christensen

Written by

Brandon Christensen · Ryan Christensen

Jaime M. Callica

Jaime M. Callica

Officer Jackson

Sean Rogerson

Sean Rogerson

Officer Bryce

Catherine Lough Haggquist

Catherine Lough Haggquist

Ally Jackson

Angel Prater

Angel Prater

Esposito

Keegan Connor Tracy

Keegan Connor Tracy

The Mother

Chris Casson

Chris Casson

The Father

E

Elizabeth Longshaw

Michelle

Court is in session

Put Bodycam on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.