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Crimes of the Future

Crimes of the Future

Science Fiction · Horror · Thriller · 2022

With his partner Caprice, celebrity performance artist Saul Tenser publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use Tenser's notoriety to shed light on the next phase of human evolution.

Movie details

Crimes of the Future

“Surgery is the new sex.”

2022 Science Fiction · Horror · Thriller 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

With his partner Caprice, celebrity performance artist Saul Tenser publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use Tenser's notoriety to shed light on the next phase of human evolution.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Crimes of the Future?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

David Cronenberg

Written by

David Cronenberg

Viggo Mortensen

Viggo Mortensen

Saul Tenser

Léa Seydoux

Léa Seydoux

Caprice

Scott Speedman

Scott Speedman

Lang Dotrice

Kristen Stewart

Kristen Stewart

Timlin

Welket Bungué

Welket Bungué

Cope

Don McKellar

Don McKellar

Wippet

Tanaya Beatty

Tanaya Beatty

Berst

Court is in session

Put Crimes of the Future on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.