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Dead Like Me: Life After Death

Dead Like Me: Life After Death

Drama · Fantasy · Comedy · 2009

When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.

Movie details

Dead Like Me: Life After Death

2009 Drama · Fantasy · Comedy 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dead Like Me: Life After Death?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stephen Herek

Written by

John Masius · Stephen Godchaux

Ellen Muth

Ellen Muth

George Lass

Jasmine Guy

Jasmine Guy

Roxy Harvey

Callum Blue

Callum Blue

Mason

Sarah Wynter

Sarah Wynter

Daisy Adair

Britt McKillip

Britt McKillip

Reggie Lass

Christine Willes

Christine Willes

Delores Herbig

Cynthia Stevenson

Cynthia Stevenson

Joy Lass

Court is in session

Put Dead Like Me: Life After Death on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.