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Forbidden Fruits

Forbidden Fruits

Horror · Comedy · 2026

Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours with fellow fruits Cherry and Fig. When new hire Pumpkin challenges their performative sisterhood, the women are forced to face their own poisons or succumb to a bloody fate.

Movie details

Forbidden Fruits

“The coven just clocked in.”

2026 Horror · Comedy 1h 43m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours with fellow fruits Cherry and Fig. When new hire Pumpkin challenges their performative sisterhood, the women are forced to face their own poisons or succumb to a bloody fate.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Forbidden Fruits?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Meredith Alloway

Written by

Meredith Alloway · Lily Houghton

Lili Reinhart

Lili Reinhart

Apple

Alexandra Shipp

Alexandra Shipp

Fig

Victoria Pedretti

Victoria Pedretti

Cherry

Lola Tung

Lola Tung

Pumpkin

Siddharth Sharma

Siddharth Sharma

Norman

Emma Chamberlain

Emma Chamberlain

Pickle

Gabrielle Union

Gabrielle Union

Sharon

Court is in session

Put Forbidden Fruits on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.