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Fubar

Fubar

Comedy · Music · 2002

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

Movie details

Fubar

“Just Give'r”

2002 Comedy · Music 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fubar?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Dowse

Written by

Michael Dowse · Paul Spence · David Lawrence

P

Paul Spence

Dean

David Lawrence

David Lawrence

Terry

Gordon Skilling

Gordon Skilling

Farrel

A

Andrew Sparacino

Tron / Tony

T

Tracey Lawrence

Trixie

S.C. Lim

S.C. Lim

Dr. S.C. Lim

S

Sage Lawrence

Chastity Anderson

Court is in session

Put Fubar on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.