The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Bill Hicks: Sane Man
Comedy · 1989
Sane Man was filmed before Bill recorded ‘Dangerous’, his first comedy album, and is a turning point in Hicks’ career. It was the first complete Hicks show ever filmed and Bill pulled out all the stops for the cameras. Completely focused, a newly-sober Hicks paces the stage like a wild animal riffing effortless.
Movie details
Bill Hicks: Sane Man
1989 Comedy 1h 21m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.2 / 10
Community rating
Sane Man was filmed before Bill recorded ‘Dangerous’, his first comedy album, and is a turning point in Hicks’ career. It was the first complete Hicks show ever filmed and Bill pulled out all the stops for the cameras. Completely focused, a newly-sober Hicks paces the stage like a wild animal riffing effortless.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Bill Hicks: Sane Man?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
David Johndrow · Kevin Booth
Written by
Bill Hicks
Bill Hicks
Self
Court is in session
Put Bill Hicks: Sane Man on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.