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Descendants: Wicked Wonderland

Descendants: Wicked Wonderland

TV Movie · Family · Fantasy · 2026

Now that the Queen of Hearts is nice and Cinderella is safe, things seem perfect for Red and Chloe… But little do they know that changing the past created a new villain — Maddox Hatter. When Maddox captures the Queen of Hearts, Red and Chloe must work alongside Red’s new sister Pink, Luisa Madrigal’s son Luis, and Maddox’s son Max to save her and Wonderland.

Movie details

Descendants: Wicked Wonderland

“ONE BIG TROPHY, ONE BIG THREAT”

2026 TV Movie · Family · Fantasy 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Now that the Queen of Hearts is nice and Cinderella is safe, things seem perfect for Red and Chloe… But little do they know that changing the past created a new villain — Maddox Hatter. When Maddox captures the Queen of Hearts, Red and Chloe must work alongside Red’s new sister Pink, Luisa Madrigal’s son Luis, and Maddox’s son Max to save her and Wonderland.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Descendants: Wicked Wonderland?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kimmy Gatewood

Written by

Dan Frey · Russell Sommer · Tamara Chestna

Kylie Cantrall

Kylie Cantrall

Red

Malia Baker

Malia Baker

Chloe

Liamani Segura

Liamani Segura

Pink

Rita Ora

Rita Ora

Queen of Hearts

Brandy Norwood

Brandy Norwood

Cinderella

Leonardo Nam

Leonardo Nam

Maddox Hatter

Alexandro Byrd

Alexandro Byrd

Luis Madrigal

Court is in session

Put Descendants: Wicked Wonderland on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.