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Your Friend the Rat

Your Friend the Rat

Animation · Family · Comedy · 2007

Let's face it, rats are not the most beloved creatures on earth. However, maybe this little tale about the history of human and rat interaction will change the world's tune. At least that is the hope of Remy, the star of Ratatouille, and his reluctant brother Emile as they guide us through world history from a rat's perspective. Why can't we all just get along?

Movie details

Your Friend the Rat

“HISTORY FROM THE P.O.V OF RATS. *disclaimer*”

2007 Animation · Family · Comedy 11m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Let's face it, rats are not the most beloved creatures on earth. However, maybe this little tale about the history of human and rat interaction will change the world's tune. At least that is the hope of Remy, the star of Ratatouille, and his reluctant brother Emile as they guide us through world history from a rat's perspective. Why can't we all just get along?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Your Friend the Rat?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jim Capobianco

Written by

Alexander Woo · Jeff Pidgeon · Jim Capobianco

Patton Oswalt

Patton Oswalt

Remy (voice)

Peter Sohn

Peter Sohn

Emile (voice)

Lou Romano

Lou Romano

Linguini (voice)

Jim Capobianco

Jim Capobianco

Director Voice (voice)

John Ratzenberger

John Ratzenberger

P.T. Flea (voice) (uncredited)

Court is in session

Put Your Friend the Rat on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.