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Hearts on Fire

Hearts on Fire

Comedy · Drama · 2025

Hugo is 19 years old. Like every summer, he spends his holidays on an Atlantic island, in the small family house. But this year is different: Hugo has undergone a physical transformation and arrives with his girlfriend, Queen, a beautician whose lively chatter and long, glittery nails contrast sharply with the young man’s modesty and shyness. Before long, the couple becomes the focus of everyone’s attention.

Movie details

Hearts on Fire

2025 Comedy · Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Hugo is 19 years old. Like every summer, he spends his holidays on an Atlantic island, in the small family house. But this year is different: Hugo has undergone a physical transformation and arrives with his girlfriend, Queen, a beautician whose lively chatter and long, glittery nails contrast sharply with the young man’s modesty and shyness. Before long, the couple becomes the focus of everyone’s attention.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hearts on Fire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Aurélien Peyre

Written by

Aurélien Peyre · Charlotte Sanson

Félix Lefebvre

Félix Lefebvre

Hugo

Anja Verderosa

Anja Verderosa

Queen

Suzanne Jouannet

Suzanne Jouannet

Colombe

Victor Bonnel

Victor Bonnel

Paul

Nolan Masraf

Nolan Masraf

Kamil

Jules Porier

Jules Porier

Marceau

Sarah Henochsberg

Sarah Henochsberg

Marie Bé

Court is in session

Put Hearts on Fire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.