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Four Adventures of Reinette and Mirabelle

Four Adventures of Reinette and Mirabelle

Comedy · Drama · 1987

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

Movie details

Four Adventures of Reinette and Mirabelle

1987 Comedy · Drama 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Four Adventures of Reinette and Mirabelle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Éric Rohmer

Written by

Éric Rohmer

Joëlle Miquel

Joëlle Miquel

Reinette

Jessica Forde

Jessica Forde

Mirabelle

Philippe Laudenbach

Philippe Laudenbach

Le Garçon De Café

François-Marie Banier

François-Marie Banier

1er Passant

Jean-Claude Brisseau

Jean-Claude Brisseau

2e Passant

Y

Yasmine Haury

Kleptomaniac

G

Gérard Courant

L'inspecteur

Court is in session

Put Four Adventures of Reinette and Mirabelle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.