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Sabotage

Sabotage

Drama · Thriller · Crime · 1937

Karl Anton Verloc and his wife own a small cinema in a quiet London suburb where they live seemingly happily. But Mrs. Verloc does not know that her husband has a secret that will affect their relationship and threaten her teenage brother's life.

Movie details

Sabotage

“A bomb plot... A Killing... Justice.”

1937 Drama · Thriller · Crime 1h 17m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Karl Anton Verloc and his wife own a small cinema in a quiet London suburb where they live seemingly happily. But Mrs. Verloc does not know that her husband has a secret that will affect their relationship and threaten her teenage brother's life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sabotage?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Perfect Sisters

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Tired of their mother's alcoholism and a string of her abusive boyfriends, two sisters plot to kill her.

The Lodger: A Story of the London Fog

The Lodger: A Story of the London Fog

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Topaz

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Where it lives

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Names above the title

The people responsible.

Directed by

Alfred Hitchcock

Written by

Charles Bennett

Sylvia Sidney

Sylvia Sidney

Mrs. Verloc

Oskar Homolka

Oskar Homolka

Karl Verloc - Her Husband

Desmond Tester

Desmond Tester

Stevie - Her Young Brother

John Loder

John Loder

Ted

Joyce Barbour

Joyce Barbour

Renee

Matthew Boulton

Matthew Boulton

Superintendent Talbot

S. J. Warmington

S. J. Warmington

Hollingshead

Court is in session

Put Sabotage on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.