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Swiped

Swiped

History · Drama · 2025

Whitney Wolfe uses extraordinary grit and ingenuity to break into the male-dominated tech industry.

Movie details

Swiped

“Meet the woman who made the first move.”

2025 History · Drama 1h 51m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

8.1K votes

Rotten Tomatoes

44 %

Tomatometer

Metacritic

42 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Whitney Wolfe uses extraordinary grit and ingenuity to break into the male-dominated tech industry.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Swiped?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Safety of Objects

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Drama · 2002

In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.

Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Rachel Lee Goldenberg

Written by

Kim Caramele · Rachel Lee Goldenberg · Bill Parker

Lily James

Lily James

Whitney

Ben Schnetzer

Ben Schnetzer

Sean

Myha'la

Myha'la

Tisha

Jackson White

Jackson White

Justin

Dan Stevens

Dan Stevens

Andrey

Ian Colletti

Ian Colletti

JB

M

Mary Neely

Beth

Court is in session

Put Swiped on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.