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Antiviral

Antiviral

Science Fiction · Horror · 2012

Syd March is employed at a clinic that sells injections of live viruses harvested from sick celebrities to obsessed fans. When he becomes infected with the disease that kills super sensation Hannah Geist, Syd becomes a target for collectors and rabid fans. He must unravel the mystery surrounding her death before he suffers the same fate.

Movie details

Antiviral

“What If You Could Feel Like They Do... We Can Help.”

2012 Science Fiction · Horror 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Syd March is employed at a clinic that sells injections of live viruses harvested from sick celebrities to obsessed fans. When he becomes infected with the disease that kills super sensation Hannah Geist, Syd becomes a target for collectors and rabid fans. He must unravel the mystery surrounding her death before he suffers the same fate.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Antiviral?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Year 10

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Invasion of the Body Snatchers

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Where it lives

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Names above the title

The people responsible.

Directed by

Brandon Cronenberg

Written by

Brandon Cronenberg

Caleb Landry Jones

Caleb Landry Jones

Syd March

Sarah Gadon

Sarah Gadon

Hannah Geist

Malcolm McDowell

Malcolm McDowell

Dr. Abendroth

Joe Pingue

Joe Pingue

Arvid

Sheila McCarthy

Sheila McCarthy

Dev Harvey

Douglas Smith

Douglas Smith

Edward Porris

Wendy Crewson

Wendy Crewson

Mira Tesser

Court is in session

Put Antiviral on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.