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The Good Shepherd

The Good Shepherd

Drama · Thriller · History · 2006

Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.

Movie details

The Good Shepherd

“Edward Wilson believed in America, and he would sacrifice everything he loved to protect it.”

2006 Drama · Thriller · History 2h 47m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Good Shepherd?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Client

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Where it lives

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Names above the title

The people responsible.

Directed by

Robert De Niro

Written by

Eric Roth

Matt Damon

Matt Damon

Edward Bell Wilson

Angelina Jolie

Angelina Jolie

Margaret Ann Russell

Robert De Niro

Robert De Niro

Bill Sullivan

Alec Baldwin

Alec Baldwin

Sam Murach

William Hurt

William Hurt

Philip Allen

Joe Pesci

Joe Pesci

Joseph Palmi

John Turturro

John Turturro

Raymond Brocco

Court is in session

Put The Good Shepherd on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.