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The Strange Love of Martha Ivers

The Strange Love of Martha Ivers

Drama · Thriller · 1946

Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.

Movie details

The Strange Love of Martha Ivers

“Fate drew them together… and only murder could part them!”

1946 Drama · Thriller 1h 55m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Strange Love of Martha Ivers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Killing

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Names above the title

The people responsible.

Directed by

Lewis Milestone

Written by

Robert Rossen

Barbara Stanwyck

Barbara Stanwyck

Martha Ivers

Van Heflin

Van Heflin

Sam Masterson

Lizabeth Scott

Lizabeth Scott

Antonia 'Toni' Marachek

Kirk Douglas

Kirk Douglas

Walter O'Neil

Judith Anderson

Judith Anderson

Mrs. Ivers

Roman Bohnen

Roman Bohnen

Mr. O'Neil

Darryl Hickman

Darryl Hickman

Young Sam

Court is in session

Put The Strange Love of Martha Ivers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.