“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

F Marry Kill
Comedy · Thriller · Horror · 2025
When true-crime junkie Eva Vaugh is shoved into the dating app world by her besties on her 30th birthday, she suddenly finds herself at the center of a real-life murder case. As new details about the murders are revealed on her favorite podcast, she realizes that one of the three men she’s dating could be the infamous "Swipe Right Killer" terrorizing the city.
F Marry Kill
“A dating movie with a killer twist.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
When true-crime junkie Eva Vaugh is shoved into the dating app world by her besties on her 30th birthday, she suddenly finds herself at the center of a real-life murder case. As new details about the murders are revealed on her favorite podcast, she realizes that one of the three men she’s dating could be the infamous "Swipe Right Killer" terrorizing the city.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over F Marry Kill?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Laura Murphy
Written by
Ivan Diaz · Meghan Brown
Put F Marry Kill on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






