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Bring Me the Head of Alfredo Garcia

Bring Me the Head of Alfredo Garcia

Action · Crime · Drama · 1974

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Movie details

Bring Me the Head of Alfredo Garcia

“Why is his head worth one million dollars and the lives of 21 people?”

1974 Action · Crime · Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bring Me the Head of Alfredo Garcia?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Marksman

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Jim Hanson’s quiet life is suddenly disturbed by two people crossing the US/Mexico border – a woman and her young son – desperate to flee a Mexican cartel. After a shootout leaves the mother dead, Jim becomes the boy’s reluctant defender. He embraces his role as Miguel’s protector and will stop at nothing to get him to safety, as they go on the run from the relentless assassins.

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Names above the title

The people responsible.

Directed by

Sam Peckinpah

Written by

Gordon T. Dawson · Sam Peckinpah · Frank Kowalski

Warren Oates

Warren Oates

Bennie

Isela Vega

Isela Vega

Elita

Robert Webber

Robert Webber

Sappensly

Gig Young

Gig Young

Quill

Helmut Dantine

Helmut Dantine

Max

Emilio Fernández

Emilio Fernández

El Jefe

Kris Kristofferson

Kris Kristofferson

Biker

Court is in session

Put Bring Me the Head of Alfredo Garcia on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.