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Man on Fire

Man on Fire

Action · Drama · Thriller · 2004

Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.

Movie details

Man on Fire

“Creasy's art is death, and he is about to paint his masterpiece.”

2004 Action · Drama · Thriller 2h 26m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Man on Fire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tony Scott

Written by

Brian Helgeland

Denzel Washington

Denzel Washington

John W. Creasy

Dakota Fanning

Dakota Fanning

Lupita Ramos

Christopher Walken

Christopher Walken

Paul Rayburn

Radha Mitchell

Radha Mitchell

Lisa Ramos

Marc Anthony

Marc Anthony

Samuel Ramos

Giancarlo Giannini

Giancarlo Giannini

Miguel Manzano

Rachel Ticotin

Rachel Ticotin

Mariana Garcia Guerrero

Court is in session

Put Man on Fire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.