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Kung Pow: Enter the Fist

Kung Pow: Enter the Fist

Comedy · Action · Adventure · 2002

A movie within a movie, created to spoof the martial arts genre. Writer/director Steve Oedekerk uses contemporary characters and splices them into a 1970s kung-fu film, weaving the new and old together. As the main character, The Chosen One, Oedekerk sets off to avenge the deaths of his parents at the hands of kung-fu legend Master Pain. Along the way he encounters some strange characters.

Movie details

Kung Pow: Enter the Fist

“If you've got an ass...he'll kick it!”

2002 Comedy · Action · Adventure 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A movie within a movie, created to spoof the martial arts genre. Writer/director Steve Oedekerk uses contemporary characters and splices them into a 1970s kung-fu film, weaving the new and old together. As the main character, The Chosen One, Oedekerk sets off to avenge the deaths of his parents at the hands of kung-fu legend Master Pain. Along the way he encounters some strange characters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kung Pow: Enter the Fist?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Steve Oedekerk

Written by

Steve Oedekerk

Steve Oedekerk

Steve Oedekerk

The Chosen One

Lung Fei

Lung Fei

Master Pain (Betty) (archive footage)

Leo Lee

Leo Lee

Young Master Pain

Hsieh Ling-ling

Hsieh Ling-ling

Ling (archive footage)

Lau Kar-Wing

Lau Kar-Wing

Wimp Lo (archive footage)

L

Lin Yan

Dying Ling

Chen Hui-Lou

Chen Hui-Lou

Master Tang (archive footage)

Court is in session

Put Kung Pow: Enter the Fist on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.