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Mamma Mia!

Mamma Mia!

Comedy · Romance · 2008

A spirited young bride-to-be living with her single mother on a small Greek island secretly invites three of her mother's ex-boyfriends in hope of finding her biological father to walk her down the aisle.

Movie details

Mamma Mia!

“A mother. A daughter. Three possible fathers. A trip down the aisle you'll never forget.”

2008 Comedy · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

A spirited young bride-to-be living with her single mother on a small Greek island secretly invites three of her mother's ex-boyfriends in hope of finding her biological father to walk her down the aisle.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mamma Mia!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Five years after meeting her three fathers, Sophie Sheridan prepares to open her mother’s hotel. In 1979, young Donna Sheridan meets the men who each could be Sophie’s biological father.

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Names above the title

The people responsible.

Directed by

Phyllida Lloyd

Written by

Catherine Johnson

Amanda Seyfried

Amanda Seyfried

Sophie Sheridan

Meryl Streep

Meryl Streep

Donna Sheridan

Pierce Brosnan

Pierce Brosnan

Sam Carmichael

Colin Firth

Colin Firth

Harry Bright

Stellan Skarsgård

Stellan Skarsgård

Bill Anderson

Christine Baranski

Christine Baranski

Tanya Chesham-Leigh

Julie Walters

Julie Walters

Rosie Mulligan

Court is in session

Put Mamma Mia! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.