“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

Kingpin
Comedy · 1996
After bowler Roy Munson swindles the wrong crowd and is left with a hook for a hand, he settles into impoverished obscurity. That is, until he uncovers the next big thing: an Amish kid named Ishmael. So, the corrupt and the hopelessly naive hit the circuit intent on settling an old score with Big Ern.
Kingpin
“You wouldn't want to meet these pinheads in an alley.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.9 / 10
95.2K votes
Rotten Tomatoes
51 %
Tomatometer
Metacritic
43 / 100
Metascore
TMDB
6.5 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
After bowler Roy Munson swindles the wrong crowd and is left with a hook for a hand, he settles into impoverished obscurity. That is, until he uncovers the next big thing: an Amish kid named Ishmael. So, the corrupt and the hopelessly naive hit the circuit intent on settling an old score with Big Ern.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Kingpin?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Big-Idea Head
“You watch with your brain, not your gut.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Bobby Farrelly · Peter Farrelly
Written by
Mort Nathan · Barry Fanaro
Put Kingpin on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.






