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The Year of Living Dangerously

The Year of Living Dangerously

Romance · Drama · 1982

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

Movie details

The Year of Living Dangerously

“A love caught in the fire of revolution.”

1982 Romance · Drama 1h 54m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

24K votes

Rotten Tomatoes

88 %

Tomatometer

Metacritic

65 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Year of Living Dangerously?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Time Is Up

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Where it lives

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Names above the title

The people responsible.

Directed by

Peter Weir

Written by

Peter Weir · C.J. Koch · David Williamson

Mel Gibson

Mel Gibson

Guy Hamilton

Sigourney Weaver

Sigourney Weaver

Jill Bryant

Linda Hunt

Linda Hunt

Billy Kwan

Michael Murphy

Michael Murphy

Pete Curtis

Bill Kerr

Bill Kerr

Colonel Henderson

Noel Ferrier

Noel Ferrier

Wally O'Sullivan

Bembol Roco

Bembol Roco

Kumar

Court is in session

Put The Year of Living Dangerously on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.